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Sunny Coast (no. 6)

9/30/2015

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Fall is in the air, and that means it is time for the Annual Nestie Halloween Photoshoot and Charity Raffle.  For the past 2 years I have donated a painting to support the chosen cause. This year's charity is MOAS (Migrant Offshore Aid Station).
"Queen Anne's Lace", Acrylic and Texture Medium on Canvas, 20"X20", October 2014.
"Lily of the Valley", Acrylic and Texture Medium on Canvas, 20"X20", October 2013.
So of course, this year will be no different.  Last year I let the winner choose the color scheme and type of pod/flower she wanted.  While I liked that concept, I am better at just creating than doing commissioned pieces.  

I decided to keep with my current style--see the Map Series.  I am really liking this style and the possibilities of color combinations I can create.  I went a little bigger this time, working on a 20"X20" square canvas.  As I was spreading out the crackle paste, I was wishing I had bought that large palette knife that looked like a cake icing spatula I saw when I was in Boston this summer at MassArt.  

Anyway, I am super happy with the end result.  I wanted something bright, yet soft.  I think I captured what I pictured in my head completely.  I hope the winner has a good place to hang it.  I guess I should go buy some hardware for the back before Sunday. ;)
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"Sunny Coast (No. 6)", Watercolor, Texture Mediums, and Acrylic on Canvas, 20"X20", September 2015.
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Maps: No. 1 thru No. 5

9/11/2015

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Take a 14X18 canvas.  Paint it black.  Spread a layer, not too thick, of Golden Crackle Paste.  Let it dry so the magic can happen. Add watercolor.  It's that easy.  Or is it really.

It started out as a microscopic look at alcohol, but turned out to be much more.  A point came in the process where I began to no longer see the cells, but started to see a map.  The way the cracks played with the layers of watercolor, it began to remind me of a shoreline.  And, depending upon which orientation you held the artwork, you were either coming home from a journey or about to venture out to sea on one.  

This prompted what was going to be a 3-piece series on microscopic looks at different alcoholic beverages, to a 5-piece map series. Each canvas started out the same...black acrylic paint, crackle paste, then watercolor.  But, with each piece, I grew.  With each piece I learned something new.  

In No. 2, I experimented with color, but still keeping the soft, pale palette.  In No. 3 I experimented with techniques to create a shallow underwater feel.  No. 4 brought a second watercolor tray and a more intense color.  And finally, No. 5 went in a new direction.  I learned how to handle the crackle paste and that the major crack lines will form along the direction lines left by the palette knife.  I learned how to create an intense color with both dry and moist watercolor trays.  I found that it is "easy" to modify a contour line of a land mass with just some water and a paper towel.  

I found inspiration from my Instagram feed.  Images from photographers such as National Geographic, David Loftus, Onthere, spencer_raymond, and purposeofenvy provided my imagination with landscapes and color schemes that were food for my mind and creative spirit.

As with many pieces I do, they could be oriented in more than one direction.  With lots of looking, and with some help from my facebook friends, I chose which felt most comfortable to look at.  I am fascinated that my works does this.  I often start with one direction in mind, but as the piece evolves, so does the direction.  I am super pleased with my series.  I have my favorites, and I am sure you will too.  I plan on creating more pieces in this fashion.  I really enjoyed creating them.
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No. 1
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No. 2
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No. 3
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No. 4
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No. 5
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